JUNE CRESPO

The exhibition brings together works by artists who approach sculpture as a system of forces: flows and transformations, tensions and dependencies between process and mass. References to biological forms and the human body draw attention to sculpture as an impermanent structure, susceptible to pressure, wear, and modification. Fluid transitions between artificial and natural materials, organic shapes and forms inspired by mechanical production highlight the metamorphic potential of matter. Matter is not a passive medium, but bears traces of its origins, uses, and contact with bodies. The exhibition foregrounds these qualities, framing sculpture as a materially situated form of expression within the museum space. The objects engage with the building’s architecture, interact with light and the movement of visitors, and spill into corridors, the staircase, and other common areas. Rather than forming a linear narrative, they create a temporary setting for bodies and objects in motion – a framework for incidental relations.